Carmen
28th October - 4th November 1972

Production Officials | |
---|---|
Director | David Tyldsley |
Musical Director | Tony Polding |
Choreographer | Lynda Wilde |
Cast | |
Morales | Roy Iddon |
Micaela | Ann Haslam |
Done Jose | Kenneth McMinn |
Zuniga | Donald Howcroft |
Carmen | Jean Unsworth |
Frasquita | Sylvia Fishwick |
Mercedes | Valerie Walmsley |
Lillas Pastia | Alan Lee |
Escamillo | Edwin Williams |
Dancairo | Alec Greaves |
Remendado | Edward Payne |
A Guide | Geoff Taylor |
Dancers |
|
Valerie Blundell, Julia Knight | |
Chorus |
|
Audrey Austin, Dorothy Bramwell, Ruth Brockbank, Helen Bennett, Brenda Dixon, Joyce Foster, Christine Foster, Glenys Entwistle, Kathleen Gibson, Diane Gee, Millie Hackett, Barbara Haslam, Virginia Haslam, Carole Leaver, Rosemary Nightingale, Glenys Poole, Audrey Raistrick, Christine Roberts, Irene Taylor, Mary Topping, Jane Trotman, Mary Whittaker, Janice Warburton, Gwen White, Dorothy Yardley, Clive Austin, David Brockbank, Malcolm Digner, John Bellis, Kevan German, Gordon Green, Bill Mort, Jeff Taylor, Tom Topping, Maurice Windsor, Bill White, Joe Waite |
Bolton Evening News Review
Splendid sets give a
truly professional touch
to Walmsley Church (Egerton) Operatic Society's
production of "Carmen," which opened
on Saturday and runs all this week. Blessed with a large and effective chorus the big moments come over extremely well with all the necessary fire and impact. In the title role, Jean Unsworth looks the part and has a well-focused, powerful voice equal to anything demanded of her. Ann Haslam as Micaela sings attractively and brings a great deal of charm to the part. The Toreador, Escamillo, played by Edwin Williams, has a
pleasing dark tone, while
on the acting side Donald
Howcroft brings a strong
personality to the part of
Zuniga. The society is to be congratulated
for taking on
the challenge of this, its
first reall opera production. In 66 previous productions
over the past 43
years the society has
covered a wide range of
musical shows and plays. Biggest success of this
production is the second
act. When the fine appearance
of the stage and confident chorus and ensemble
deliveries combine to ther best effect. Happily, perhaps, the two main weaknesses tend to
cancel each other out. One
is the feeble translation,
which is something of a
tongue-twister as well as adding nothing to the drama. This is a great pity because compared with many operas "Carmen" has an especially strong text. The second problem wasa general lack of clarity, which made the words hard to distinguish. This may be the fault of an exceptionally large (and splendid) hall, but the audience should read the
programme notes.
Otherwise, though it is in
English, they will be lost.
Director: David Tyldsley;
musical director: Tony Polding; Lighting: not credited in the programme but thoroughly deserved to be. R.J.L.